CRISTIAN MĂCELARU
CONDUCTOR
“He is the most insightful and serious young conductor out there today.”
Photo credit: Ben Knabe
Distinguished by a rare fusion of interpretive rigor, emotional intelligence, and generosity of spirit, GRAMMY® Award-winning conductor Cristian Măcelaru is recognized for his artistic vision shaped by deeply human, intuitive leadership that sets him apart in the field. A driving force for music’s power to connect, inspire, and endure, he is deeply committed to strengthening cultural institutions, educating the next generation, and forging meaningful bonds within communities, while serving as an ambassador for the classical art form worldwide. Măcelaru is Music Director of the Cincinnati Symphony Orchestra, Music Director of the Orchestre National de France, Artistic Director of the George Enescu Festival and Competition, Artistic Director and Principal Conductor of the Interlochen Center for the Arts’ World Youth Symphony Orchestra, Music Director and Conductor of the Cabrillo Festival of Contemporary Music and Distinguished Visiting Artist at The Shepherd School of Music at Rice University. He also serves as Artistic Partner of the WDR Sinfonieorchester in Cologne, where he served as Chief Conductor from the 2019/2020 through 2024/25 seasons.
During Măcelaru’s inaugural 2025/26 season as Music Director of the Cincinnati Symphony Orchestra – highlighted in The New York Times – audiences have responded with sold-out programs, including his November 4 concert with Yo-Yo Ma, simulcast to four additional locations across the city. Throughout the season, he collaborates with world-renowned artists, including Hélène Grimaud, Daniil Trifonov, and Tessa Lark, and leads major initiatives, including the U.S. premiere of Daníel Bjarnason’s complete Trilogy for Orchestra and a multidisciplinary staging of Igor Stravinsky’s The Firebird with larger-than-life puppetry, which he has conducted previously, highlighting his command of ambitious and inventive productions.
In 2025, Măcelaru led the George Enescu International Festival in its most expansive edition to date, and conducted the Orchestre National de France in landmark European and U.S. tours, culminating in a celebrated performance at Carnegie Hall. In March 2026, he embarks on a tour with Interlochen Center for the Arts, celebrating the upcoming centennial of Interlochen and the 250th anniversary of American independence. Concerts begin at the Center’s home in Interlochen, Michigan, and continue through Detroit, Philadelphia and Boston. Students will perform a program featuring a new cello concerto by Wynton Marsalis, with Yo-Yo Ma as soloist. Măcelaru’s guest engagements this season include debuts with the Münchner Philharmoniker and Orchestra dell'Accademia Nazionale di Santa Cecilia, as well as returns with Tonhalle-Orchester Zürich, Czech Philharmonic, Leipzig Gewandhaus Orchestra, Philharmonia Orchestra and San Francisco Symphony.
Widely admired for his artistic vision and commitment to innovation, Măcelaru appears regularly with many of the world’s leading orchestras. Highlights of Măcelaru’s previous seasons include engagements with Royal Concertgebouw Orchestra, Dresden Staatskapelle, Leipzig Gewandhaus, Sinfonieorchester des Bayerischen Rundfunks, Rotterdam Philharmonic, London Philharmonic Orchestra, NDR Elbphilharmonie, Staatskapelle Berlin, Budapest Festival Orchestra, Wiener Symphoniker and Swedish Radio Symphony Orchestra. In North America, Măcelaru has conducted the New York Philharmonic, Boston Symphony Orchestra, The Philadelphia Orchestra, Chicago Symphony Orchestra, The Cleveland Orchestra, Los Angeles Philharmonic, and National Symphony Orchestra. As a conductor of opera, he has led notable productions including Don Giovanni at Houston Grand Opera and Madama Butterfly at Opera Națională București.
Across his myriad titled roles, Măcelaru has consistently elevated performance levels and audience engagement to new heights. Under his leadership, the 2025 George Enescu International Festival reached an unprecedented scale through a four-week concert schedule highlighting world-class orchestras in multiple international premieres and interpretations of classical music’s finest repertoire. In just 29 days, the festival presented more than 100 concerts throughout Bucharest and in cities across Romania. More than 20 of the world’s leading orchestras performed in the Festival, reaffirming its status as a landmark event on the international cultural stage.
An accomplished recording artist, Măcelaru received a 2019 GRAMMY® Award for conducting the Decca Classics recording of Wynton Marsalis’s Violin Concerto with Nicola Benedetti and The Philadelphia Orchestra. His most recent albums include a February 2026 recording of works by the long-overlooked French composer Elsa Barraine, recorded by the Orchestre National de France on Warner Classics, and the September 2025 release of Ravel Paris 2025 with the ONF on Naïve Records, a celebration of the 150th anniversary of Maurice Ravel’s birth. His 2024 recording of George Enescu’s Symphonies Nos. 1-3 and Romanian Rhapsodies on Deutsche Grammophon won the Diapason d’Or of the Year and Choc Classica de l'Année. His discography also includes the complete symphonies of Saint-Saëns on Warner Classics with the Orchestre National de France, as well as recordings featuring works by Bartók, Dvořák and Rachmaninoff on Linn Records with the WDR Sinfonieorchester. Măcelaru’s Linn Records album, Brahms: Piano Concertos with Simon Trpčeski and the WDR Sinfonieorchester, was featured in Classic FM’s November 2023 “Album of the Week” as well as BBC Music Magazine’s January 2024 “Concerto Choice.”
Măcelaru is deeply committed to education, accessibility and audience engagement. In his role as Chief Conductor with the WDR Sinfonieorchester, he created the ensemble’s Kurz und Klassik program, in which he shares personal insight into each of the major compositions chosen for performance. This video series has built a significant following, a testament to Măcelaru's continued impact in bringing audiences closer to the music. With the Orchestre National de France, he created a new series of concerts, L’œuvre augmentée, conceived to deepen patrons’ appreciation of the music by offering insights into the themes and backgrounds of the works presented. Most recently, in his Artistic Director role with the George Enescu Festival and Competition, Măcelaru has created a new series of concerts for children as part of an initiative to enrich and modernize the festival. Emphasizing contemporary compositions, these programs enhance listeners’ appreciation of the music while promoting social values of equality, empowerment and diversity. He has also increased invitations for women conductors and implemented mental and physical well-being sessions for Competition participants. Through a historic collaboration with organizations including Romania’s Special Olympics, Măcelaru and the Festival are striving to modernize Romania’s concert halls to make them more accessible. For the 2024 George Enescu International Competition, Măcelaru and competition organizers received a record-breaking 555 applications from 57 countries.
With the Cabrillo Festival of Contemporary Music, Măcelaru has helped nurture the collaborative spirit underlying the festival’s core mission. Using his leadership role as a platform for engagement, he has brought artists, audience members and festival executives into a shared creative process through open rehearsals and interaction with the composers in residence. Through the Cabrillo Emerging Black Composers Prize, Măcelaru and Cabrillo have partnered with the Emerging Black Composers Project, a ten-year commitment to spotlight early-career Black American composers and their music.
A champion of commissioning and premiering the music of today, Măcelaru has commissioned premieres from over 52 composers across his titled positions in Paris, Cologne and Cabrillo. This illustrious group of composers includes Wynton Marsalis, Tan Dun, Gabriela Lena Frank, Jennifer Higdon, Jake Heggie, Nico Muhly, Sean Shepherd and Gabriella Smith.
Across his many roles, Măcelaru embodies an artistic mission prizing education, accessibility, and audience connection. His work with young musicians spans conducting masterclasses, composer workshops, and mentorship programs across Europe and North America, emphasizing long-standing commitments with his alma maters in Romania and the United States, including Interlochen Arts Academy and Rice University’s Shepherd School of Music. Through his leadership at major festivals and institutions, he has advanced initiatives supporting diversity, equity, and well-being.
Măcelaru devotes significant time to mentoring young musicians in his capacity as an educator, continuing the great legacy of the Cabrillo Conductors / Composers Workshop that brings together the Cabrillo Festival Orchestra and leading faculty with early-career conductors and composers for a professional training program focused on the creation and performance of new music. He also holds annual conducting masterclasses in Timișoara, Romania, with the Romanian Chamber Orchestra, and each year calls for scores from young Romanian composers. More than 40 compositions thus far have been written through this initiative. This past season, Măcelaru also worked with young musicians during his residency at the Kronberg Academy in Germany.
Măcelaru was born in Timișoara, Romania, and comes from a musical family. As the youngest of ten children, all of whom received instrumental lessons at an early age, Măcelaru moved at age 17 to the United States to attend the Interlochen Arts Academy in Michigan, where he served as concertmaster of the Arts Academy Orchestra. He pursued his higher education at the University of Miami in Florida and Rice University’s Shepherd School of Music in Houston, where he studied conducting with Larry Rachleff. He then deepened his knowledge at Tanglewood Music Center and Aspen Music Festival in masterclasses with David Zinman, Rafael Frühbeck de Burgos, Oliver Knussen and Stefan Asbury.
Măcelaru was the youngest concertmaster in the history of the Miami Symphony Orchestra and made his Carnegie Hall debut with that orchestra at the age of 19. He also played in the first violin section of the Houston Symphony for two seasons. His international career was launched in 2012 when he was asked to step in for Pierre Boulez with the Chicago Symphony Orchestra. During that same year, he received the Solti Emerging Conductor Award, followed by the Solti Conducting Award in 2014
An accomplished recording artist, Măcelaru received a 2019 GRAMMY® Award for conducting the Decca Classics recording of Wynton Marsalis’s Violin Concerto with Nicola Benedetti and The Philadelphia Orchestra. His most recent albums include a February 2026 recording of works by the long-overlooked French composer Elsa Barraine, recorded by the Orchestre National de France on Warner Classics, and the September 2025 release of Ravel Paris 2025 with the ONF on Naïve Records, a celebration of the 150th anniversary of Maurice Ravel’s birth. His 2024 recording of George Enescu’s Symphonies Nos. 1-3 and Romanian Rhapsodies on Deutsche Grammophon won the Diapason d’Or of the Year and Choc Classica de l'Année. His discography also includes the complete symphonies of Saint-Saëns on Warner Classics with the Orchestre National de France, as well as recordings featuring works by Bartók, Dvořák and Rachmaninoff on Linn Records with the WDR Sinfonieorchester. Măcelaru’s Linn Records album, Brahms: Piano Concertos with Simon Trpčeski and the WDR Sinfonieorchester, was featured in Classic FM’s November 2023 “Album of the Week” as well as BBC Music Magazine’s January 2024 “Concerto Choice.”
Măcelaru is deeply committed to education, accessibility and audience engagement. In his role as Chief Conductor with the WDR Sinfonieorchester, he created the ensemble’s Kurz und Klassik program, in which he shares personal insight into each of the major compositions chosen for performance. This video series has built a significant following, a testament to Măcelaru's continued impact in bringing audiences closer to the music. With the Orchestre National de France, he created a new series of concerts, L’œuvre augmentée, conceived to deepen patrons’ appreciation of the music by offering insights into the themes and backgrounds of the works presented. Most recently, in his Artistic Director role with the George Enescu Festival and Competition, Măcelaru has created a new series of concerts for children as part of an initiative to enrich and modernize the festival. Emphasizing contemporary compositions, these programs enhance listeners’ appreciation of the music while promoting social values of equality, empowerment and diversity. He has also increased invitations for women conductors and implemented mental and physical well-being sessions for Competition participants. Through a historic collaboration with organizations including Romania’s Special Olympics, Măcelaru and the Festival are striving to modernize Romania’s concert halls to make them more accessible. For the 2024 George Enescu International Competition, Măcelaru and competition organizers received a record-breaking 555 applications from 57 countries.
With the Cabrillo Festival of Contemporary Music, Măcelaru has helped nurture the collaborative spirit underlying the festival’s core mission. Using his leadership role as a platform for engagement, he has brought artists, audience members and festival executives into a shared creative process through open rehearsals and interaction with the composers in residence. Through the Cabrillo Emerging Black Composers Prize, Măcelaru and Cabrillo have partnered with the Emerging Black Composers Project, a ten-year commitment to spotlight early-career Black American composers and their music.
A champion of commissioning and premiering the music of today, Măcelaru has commissioned premieres from over 52 composers across his titled positions in Paris, Cologne and Cabrillo. This illustrious group of composers includes Wynton Marsalis, Tan Dun, Gabriela Lena Frank, Jennifer Higdon, Jake Heggie, Nico Muhly, Sean Shepherd and Gabriella Smith.
Across his many roles, Măcelaru embodies an artistic mission prizing education, accessibility, and audience connection. His work with young musicians spans conducting masterclasses, composer workshops, and mentorship programs across Europe and North America, emphasizing long-standing commitments with his alma maters in Romania and the United States, including Interlochen Arts Academy and Rice University’s Shepherd School of Music. Through his leadership at major festivals and institutions, he has advanced initiatives supporting diversity, equity, and well-being.
Măcelaru devotes significant time to mentoring young musicians in his capacity as an educator, continuing the great legacy of the Cabrillo Conductors / Composers Workshop that brings together the Cabrillo Festival Orchestra and leading faculty with early-career conductors and composers for a professional training program focused on the creation and performance of new music. He also holds annual conducting masterclasses in Timișoara, Romania, with the Romanian Chamber Orchestra, and each year calls for scores from young Romanian composers. More than 40 compositions thus far have been written through this initiative. This past season, Măcelaru also worked with young musicians during his residency at the Kronberg Academy in Germany.
Măcelaru was born in Timișoara, Romania, and comes from a musical family. As the youngest of ten children, all of whom received instrumental lessons at an early age, Măcelaru moved at age 17 to the United States to attend the Interlochen Arts Academy in Michigan, where he served as concertmaster of the Arts Academy Orchestra. He pursued his higher education at the University of Miami in Florida and Rice University’s Shepherd School of Music in Houston, where he studied conducting with Larry Rachleff. He then deepened his knowledge at Tanglewood Music Center and Aspen Music Festival in masterclasses with David Zinman, Rafael Frühbeck de Burgos, Oliver Knussen and Stefan Asbury.
Măcelaru was the youngest concertmaster in the history of the Miami Symphony Orchestra and made his Carnegie Hall debut with that orchestra at the age of 19. He also played in the first violin section of the Houston Symphony for two seasons. His international career was launched in 2012 when he was asked to step in for Pierre Boulez with the Chicago Symphony Orchestra. During that same year, he received the Solti Emerging Conductor Award, followed by the Solti Conducting Award in 2014.
“All pieces felt new under Cristian Macelaru. The conductor was quite the hero … This Appalachian Spring was the most convincing performance I’ve heard.”
“Cristian Macelaru led with panache and intensity. He is dynamic and intense on the podium. He proved an ideal interpreter.”
“Macelaru is the real McCoy. He has presence without being showy. He has a fine sense of sweep and structure. In page after page, he brought detail into focus. The majesty of the first movement, not overstated, was pellucid in its direction. In the heavenly slow movement, Time was suspended. And the finale was a musical life force. Let’s get this conductor back while we can afford him.”
“Cristian Macelaru made his Cleveland Orchestra debut with a momentous account of Holst’s ‘The Planets’. Talk about planetary alignment. In Macelaru’s performance, all the elements of a vivid and engaging experience were firmly in place, and the impact, musically speaking, was as wide and deep as a large meteor strike. Contrast ran high throughout the performance. Holst’s seven planetary portraits always stand apart from each other, but in Macelaru’s rendering, the musical distance between movements was enormous. Light years versus miles. “Mars” was an intimidating show of force, a rousing display of orchestral unity. Later came “Jupiter,” where Macelaru, music director of California’s Cabrillo Festival, treated the music with cinematic sweep and the horns made robust and noble contributions. “Saturn” and “Neptune” represented the best of the two worlds. Macelaru shaped as a grand crescendo, building up to an irrepressible surge by the subtlest of degrees. The latter, meanwhile, he removed from all time and place; for those moments, there was nothing but radiant strings and the ravishing, disembodied voices of the women in the Blossom Festival Chorus.”
“The conductor, who impressed last summer when he conducted Cincinnati Opera’s “Il Trovatore,” impressed once again in Elgar’s “Enigma” Variations. This work, which concluded the evening, was given as fresh and inspired a performance as one could want. Each of the 14 variations – in which a friend of Elgar’s is depicted – had distinctive character, ranging from delicate to blustery. The musicians responded to the conductor’s leadership with polished, expressive playing. Of course, its heart is the “Nimrod” Variation. Here, the conductor began almost imperceptibly, and allowed the music to unfold simply, to its noble climax. The effect was quite moving.”
“What makes Macelaru impressive is the huge sound he gets from the orchestra. He sought boldness, as though wrapping the hall in a thick, heavy velvet Rachmaninoff bow that implied a gift of some extravagance and possibly decadence. For the Symphonic Dances, Macelaru further increased the dosage of orchestra steroids. Even so, details came through well. The rich string playing and wind playing may have been inspired by Macelaru’s work with the Philadelphia Orchestra; the brass blowout had the Chicago Symphony written all over it. The L.A. Phil responded spectacularly.”
“Wednesday’s first installment offered the impressive Romanian-born conductor Cristian Macelaru in an auspicious Philharmonic debut, beginning the program with a weighty, surging account of the 1909 tone poem “The Isle of the Dead.”
“Macelaru and the orchestra delivered two nights of fiery, tender and technically excellent music-making. The level of passion and precision achieved on a tight rehearsal schedule was remarkable.”
“Macelaru delivered each movement with close attention and sharp intuition.”
“A conductor whose successes transcended many borders in recent years.”
“Macelaru offered nothing short of a master class.”
“His technical skill and his ear for details turned the overall performance into a pleasant and rewarding experience.”