Violin
Nicola Benedetti
Nicola Benedetti is one of the most sought-after violinists of her generation. Her ability to captivate audiences and her wide appeal as an advocate for classical music has made her one of the most influential artists of today.
“Ms. Benedetti's playing is always top-notch.”
Biography
North and South American Management
charlotte@primoartists.comFor Presenters
Nicola Benedetti is one of the most sought-after violinists of her generation. Her ability to captivate audiences and her wide appeal as an advocate for classical music has made her one of the most influential artists of today.
Nicola begins her 2024-2025 season with a performance of the Marsalis Violin Concerto with the Belgian National Orchestra in a programme that includes Marsalis' Fourth Symphony 'The Jungle' with the Jazz at Lincoln Center Orchestra. She will return to the London Symphony Orchestra to perform the MacMillan Violin Concerto with Gianandrea Noseda and will close the Scottish Chamber Orchestra's season playing the Brahms Violin Concerto conducted by Maxim Emelyanychev.
Winner of the GRAMMY Award for Best Classical Instrumental Solo in 2020, as well as Best Female Artist at both 2012 and 2013 Classical BRIT Awards, Nicola records exclusively for Decca (Universal Music). Her latest recordings of Vivaldi Concerti and Elgar's Violin Concerto entered at number one in the UK's Official Classical Album Chart. Other recent recordings include her GRAMMY award-winning album written especially for her by jazz musician Wynton Marsalis: Violin Concerto in D and Fiddle Dance Suite for Solo Violin. In 2021, BBC Music Magazine named her "Personality of the Year" for her online support of many young musicians during the pandemic.
Nicola has always been a dedicated, passionate ambassador and leader in music education and her commitment was underlined in 2019 when she established The Benedetti Foundation (benedettifoundation.org). The Foundation delivers transformative experiences through mass music events and unites those who believe music is integral to life's education. The Foundation believes in the strength of music and the power of mass inspirational moments to connect cultures and communities through combining excellence and inclusivity, tradition and innovation and meaningful collaboration. In its first four years, the Foundation has worked with close to 70,000 participants of all ages and levels, instrumentalists and non-instrumentalists alike, across 105 countries. Its free online educational video resources: 'With Nicky' and other Foundation videos have had over 6 million views.
Nicola was appointed a CBE in 2019, awarded the Queen's Medal for Music (2017), and an MBE in 2013. In addition, Nicola holds the positions of Vice President (National Children's Orchestras), Big Sister (Sistema Scotland), Patron (National Youth Orchestras of Scotland's Junior Orchestra, Music in Secondary Schools Trust and Junior Conservatoire at the Royal Conservatoire of Scotland).
In October 2022, Nicola became the Festival Director of the Edinburgh International Festival. In taking the role she became both the first Scottish and the first female Festival Director since the Festival began in 1947.
Nicola plays the Gariel Stradivarius (1717), courtesy of Jonathan Moulds.
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In the press
“The hottest classical violinist on the planet.”
Daily Mail
“Ms. Benedetti's playing is always top-notch, her sound brilliant and clean.”
The New York Times
“Ms. Benedetti's sound in the stratosphere of her register is almost improbably pure and gleaming; at times it resembled the supernatural song of a theremin… Ms. Benedetti's violin soared with luminous grace.”
The New York Times
“She has a sumptuous tone. She digs into a phrase with plenty of intensity and clearly enjoys showing off her technique, but she never crosses the line to showiness. An admirable violinist, Benedetti [has] certainly earned the right to be taken seriously.”
Los Angeles Times
“Benedetti is one magnificent talent, her abilities only matched by her ambitiousness. It was an extraordinarily satisfying concert that went in four distinctly different directions, stylistically. Not only did Benedetti show off her versatility, she demonstrated that she might just be brilliant with whatever repertoire she touches.”
Pioneer Press
“Benedetti has a crisp, centered violin tone that shines in the high register, and she fearlessly navigates to the top of the instrument's range, hitting stratospheric notes with authority and swaggering vibrato.”
Atlanta Journal-Constitution
“Joshua Bell may be the only violinist under the age of 50 more widely known than Benedetti. … The concert was entirely triumphant. Benedetti didn't merely prove that she's shed her former status as a youthful novelty. She's clearly become an important artist of significant merit.”
The Kansas City Star
“Benedetti draws an exceptionally rich and full-bodied sound from her Stradivarius instrument. Her vibrato was ample without being excessive, and her bowing has character.”
Pittsburgh Tribune
“From her first note, it was clear that Benedetti's artistry is impressive. She projected a sweet, stunning sound on her Stradivarius, played with a fresh spirit and clearly had something to say.”
Cincinnati Enquirer
“Benedetti's playing had a satisfying poise and maturity that ushered the listener gently into the labyrinthine patterns woven by Bach in this mesmerizing piece of music.”
Star Tribune
“Benedetti is an absorbing musical storyteller. Like all the best, she leaves you wanting more.”
Star Tribune
“Benedetti's trademark is her tone: sweet and clear in the upper register, honeyed in mid-range, and velvety in her low notes.”
Classical Voice America
“Benedetti is the type of passionate artist who can help popularize classical music with a new generation.”
Pop Culture Classics
“Whatever she plays, Benedetti remains a great communicator.”
The Times (of London)
“Her magically sustained pianissimos deserve an Oscar.”
The Times (of London)
“Nicola Benedetti, beloved by audiences at the BBC Proms, was enthusiastically greeted by a packed house to perform Korngold's Concerto, a favourite of hers, and one that she has recorded fairly recently. Her creamy tone was as seductive as ever, caressing and shaping the opening paragraphs, with many a wonderful sudden pianissimo along the way. As she ascended to the heights and set up the first tutti, she gave a small smile of pleasure. Her playing had all the sheer beauty the lush score calls for.”
The Strad
“She is habitually called 'the violin star' …”
The Arts Desk
“This is an artist who exudes star quality; her exquisite playing, combining true virtuosity and a deep musical intelligence made this a memorable performance.”
Herald Scotland
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